Patrick Javault

Neuhaus’ Time

Devoted to the work of Max Neuhaus (1939-2009), Max Feed. Œuvre et héritage de Max Neuhaus at Frac Franche-Comté, Besançon, the first retrospective since the death of this major figure, brought together an important documentation as well as...  



Persistent in the canon of art history, the equation Nature=Impressionism survives today. At the turn of the twentieth century, French critics already claimed that the Impressionists’ attention to perception was a route to come closer to Nature – a strive for perfect...  



A Short History of South African Photography, by Rory Bester, Thato Mogotsi and Rita Potenza, is an exhibition hosted by Fotografia Europea XII at the Cloisters of St. Peter, Reggio Emilia, to celebrate the 40th anniversary of the agreement (June 26, 1977) between Reggio Emilia...  



 “Yes, artists perpetuate themselves, passing on the torch, Delacroix to the Impressionists, &c. But is that all?”, van Gogh pondered in a letter to his brother Theo in early August 1888, at thirty-five years old, just before painting the Sunflowers. We are...  



In an elegantly frescoed salon at New York University’s Florence estate, Villa La Pietra, stands an artifact of beauty, her light brown tunic adorned with brushes of gold fig leaves, a golden collar, and buttons and boots to match. An expansive smile is etched into her...  



After the terrorist attack on the Parisian satirical magazine, Charlie Hebdo, some commentators wondered what the consequences of a reaction calling for greater security would be for European legislation. The almost hysterical use of the inclusive “we” in the slogans...  



Riccardo Panattoni

Fatigue that cures

In his book, Fatigue Society (Müdigkeitsgesellschaft, Matthes & Seitz, 2010, English edition in preparation for Stanford University Press), the Korean cultural theorist, Byung-Chul Han, who teaches at UdK, Berlin, claims that contemporary society no longer responds to...  



What do Kafka and Chaplin have in common? They both explore the margins of life, where exclusion from the world and from history opens up the curtains of dissimulation and accepts the cognition of pain as destiny. Is the comparison unfeasible? In Benjamin’s view, the...  



Three slightly rotten looking apples on a leaning shelf, indefinite shadows  like pools beneath them. The black and white photo on the cover of the Italian edition of the book, by Sabina Ragucci, evokes the idea of time passing.     Apples come into the first...  



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